Posts Tagged ‘Shapes’

Drawing Chickens In A Gumball Tree

Friday, January 9th, 2009
Snowflake is a young rooster

Snowflake is a young rooster

Philly in the tree

Philly in the tree

One of our hens, Little Black, loves to sit on the nest and has hatched three roosters and two hens for us. She, the eggs and chicks all stay out in the movable coop. That is the coop I showed you how to draw in the last post. Then when the chicks are old enough everybody moves to the big coop. Well, two of the young roosters and one hen decided they prefer to sleep on limbs up in the trees. During the summer they roosted in the cypress tree in the backyard. Then when winter came the leaves fell off of the trees leaving the limbs bare. The cypress tree is on the edge of the yard close to a field and woods where deer, opossum and other critters wander. So, the three moved to a gum ball tree off of the patio and closer to the big chicken coop.

The big chicken coop

The big chicken coop

I have taken pictures of the coop from the front. Through the door you can see a white shelf that the older hens use as a nesting box. Try to draw a picture of the coop at one end of your paper and at the other end of the paper draw a tree with a lot of limbs radiating out from the trunk. On the limbs draw the hen and roosters.

When you begin drawing think about the shapes you will use. For example the coop is very geometric consisting of a square and several rectangles. The trees on the other hand are very curvy. Also notice that the limbs get smaller the farther away from the tree trunk they grow. And when you draw the poultry the shapes are mostly ovals. The view of the hen and roosters in my photos are from below. I was standing under the tree aiming the camera up at the hen and roosters. Silly Philly is the orange colored one and he is a Polish Buff. The larger white one we call snowflake and he is also a rooster. The smallest white one is a hen and when old enough she will lay eggs. Her name is Domino because she has a couple of black spots on her back. When you draw the picture of the coop and trees together draw your trees as if you were standing next to them and not under them. If you would prefer to do just the chicken in the tree that is fine too. The most important thing is to have fun.chicksntreeclosupchickupcloseonlimbchicsindrwntree

How To Draw A Rooster

Wednesday, August 20th, 2008
Pompy casts a shadow

Pompy casts a shadow

I would like to introduce you to Pompy our rooster. Pompy is a Polish Buff rooster and is about a year old. Instead of having a big red comb on top of his head he has long skinny feathers that hang down over his eyes.

Pompy has what are called spurs at his ankles that are used for defense. Look also at the color of his legs. They are a silver or gray which is different from Red and Mater’s yellow legs. Now I want you to look at Pompy’s body feathers and notice how the direction in which the feathers grow changes. On the neck they grow down and the feathers on his body grown down and toward the tail. Look at the photo and look at Pompy’s tail feathers. They are longer and much more fancy than the hen’s tail feathers. Notice how some of the feathers start at the back of the body and curve into an arch while others point to the sky.

In the photo observe or look at how Pompy has one foot raised and his head is even with his back. This is how he looks when he is walking along looking for food. Also, notice that one foot is raised.

Before you start the drawing activity take one more look at the photo, but this time look at the ground around Pompy. I too this photo at about 10 o’clock in the morning before the sun was high in the sky. Do you see his shadow on the ground? Pompy’s shadow is in an area of the photo called the foreground and that just means the shadow is on our, the viewer, side of Pompy. Everything behind Pompy is the background. The same idea works in drawing. So, this drawing activity will include Pompy’s shadow.

Steps to drawing Pompy

Steps to drawing Pompy

Okay, the first step is to draw the egg shape for the body. At the small pointy end of the body draw a triangle with the flat side slightly overlapping the body and pointing to three o’clock or to the right. Then draw a circle around the tip of the triangle. At the opposite end of the body add the longest tail feather. It looks like an upside down hook. The longest curved feather starts at the top of the back end of the body.

At the back end of the body below the first feather add the letter “V”. One side of the “V” must touch the end of the body. Okay, the next step is to draw two diagonal lines like you would draw for the top of a triangle. Where the tow diagonal lines start must be the same width as the open top of the letter ”V”. By combining those lines together you have created a shape called a diamond.

In the middle of the bottom of the belly add a small triangle that is pointing to the ground. At the tip of the triangle add Pompy’s leg using two diagonal straight lines. To add Pompy’s raised foot draw a short straight line to the right and below that add the letter “W”. You have drawn two of Pompy’s toes. By adding the other tow to the right of the “W” you will draw the raised foot.

Now to me the fun part of drawing is adding some details. Feathers can be drawn using curved and straight lines. First look at the photo again at Pompy’s head feathers. Then look at the drawing activity sheet. I used the letter “v” again, but this time it is smaller and not in the position it would be for reading. I have flipped and rotated the “v” around a dot on Pompy’s head that will be his eye.  Before you start drawing your small “vs” erase the tip of the triangle that is inside the circle. Put a dot in the circle and then draw the feathers using the letter “v”.  At the bottom of the circle add a “W” for the beak.

The next area you will be adding feathers to the inside of the triangle attached to the body that represents the neck. To draw the feathers is as easy as drawing straight lines from the head to the body. If you look at the drawing activity sheet I used a zig zag line to draw the ends of the feathers that go across and down the body. You can make a zig zag line by repeating the letter “W” over and over. They must touch to create the zig zag line.

On the back of the body by the tail draw a large “W” and “V” touching each other. The points need to point down. This combination will make the big feathers at the back of the body. Now on the tail inside the diamond repeat the last step. Take one more look at the drawing activity sheet. You will see that inside the diamond I drew straight lines that travel from the top of the diamond back to the body. At the top end of the diamond feathers I added the letter “m” two times.

The last step is to draw Pompy’s shadow. The easiest way is to draw a skinny and long oval the same length as Pompy from his head to his tail. You can add the beak at the head end of the shadow, but since a shadow is like a reflection in some ways the beak should point to Pompy’s head. Shadows almost always touch what is casting the shadow so, be sure your oval is touching Pompy’s leg.

There, you have done it again. If you have been following along you should have several drawings of hens and now a rooster. If you are a first time participant, to the drawing activitiy, congratulations on drawing Pompy and his shadow. One thing to remember when you are learning to express yourself through art and these drawing activities is there are no mistakes. Instead there are opportunities for discovery. Until next time, have fun on your adventure of discovery.

How To Draw A Chicken In Different Positions

Monday, August 4th, 2008
Red and Mater

Red and Mater

Red scratching in the yard

Red scratching in the yard

Hello again and I am glad to have you back. In my last blog I showed you how to draw a chicken by first drawing an egg and by combining other different shapes. The finished outline drawing of our Rhode Island Red hen named Red, is her profile. In today’s blog I will show you how to look for and add gesture to your drawing. Gesture in drawing represents the combination of all of the characteristics of your subject whether still or moving. The characteristics are things that make one person or animal recognizable from another. So, by rearranging or slightly changing some of the same shapes I have already used, I can draw Red so that her head is turned and she is looking over her back or she is leaning down to eat.

The best way to understand gesture is to watch your subject. Observe how your subject looks at rest, walking or running. Gesture can be big movement like jumping or running or gesture can be small movement like a turn of the head. When our hens and rooster run their legs spread farther apart and they sometimes will also spread their wings. I know I have said it before, but I think running poultry is quite comical looking. They seem to roll from one side to the other as the weight is shifted from one leg to the other.

When Red is moving around slowly I have noticed that as she picks up one foot the toes droop and then open back up and stiffen as her lifted foot gets closer to being placed back on the ground and her weight shifts to that leg. So, today I have included a couple more photos and a step-by-step drawn example of how to add gesture. Be sure to look at the photos. Look at how the legs are different in the two photos. See how much lower Red’s head is in one photo than the other.

hw2drwchickndifpstn067screnTo begin you should again draw the egg shape for the body. The second step is to add a triangle overlapping the base of the triangle to the egg at the pointy end of the egg. Place the triangle closer to the top of the egg instead of just at the end. If you think of the egg as a clock, place the triangle at about one or two o’clock. The third step is to add the head by drawing a circle around the tip of the triangle. Then add a small triangle to the left side of the circle. The small triangle represents the beak. Now you can add the comb on top of her head and the waddle below the beak, oh, and don’t forget her eye. To add Red’s tail draw a triangle overlapping the bottom of the triangle onto the egg. You can add a wing on the side of her body. To draw legs add a “w” at the belly of her body and then draw the two diagonal lines for each leg. Remember that Red’s legs bend toward her tail, not her head. For her feet you will need to draw one short line for a toe at the back and three lines for toes at the front of the foot. Great job. Red is looking back over her tail.

To draw Red eating again draw the egg for her body. The triangle for her neck should be drawn below the three o’clock position on the pointy end of the egg. Then add the circle around the tip of the triangle. Next add the triangle for the beak so that the triangle is like the letter “V”. By drawing the shapes in this position her head is closer to the ground and her beak is pointing at the ground. Add her features and her eye. Her tail triangle should be drawn pointing more to nine o’clock than up as I drew it in the last demonstration. The “W” on the belly for the legs will be opened up and spread wider across the belly. The leg closest to the tail should be drawn straight, short and down. The leg closest to the front should be drawn down with a very short straight line and at the end of that line draw a diagonal line toward the beak. Now that the legs are drawn you should add the toes and wing.

Take another look at the photos, but this time look at the feathers and how they sit on the body or how the bigger feathers point to the end of the tail. Also look at the area around the chicken. What surrounds her, is she in the grass, is it daytime, are all of the leaves around her the same size and shape? These are all things I will begin adding to the drawings as I continue to draw. I will also begin adding other chickens, the coops and maybe even the cats that hang around. So, until the next time keep your pencil moving.

How To Draw A Chicken

Saturday, July 26th, 2008
Red in profile

Red in profile

I love being outside and in the garden walking around and looking at all there is to see. I check on which plants are blooming and which plants have finished, water those that need it and feed the fish. All the time cats, dogs and especially chickens are in tow. They follow me around talking and keeping a look out for crickets or other choice things to eat. Rooster Pompy crows and stops walking to spread his wings and gives a gentle flap. The hens each have recognizably different ways of talking. Red our Rhode Island Red has the traditional “baah, bah baah, bah baah” type of cluck. Henrietta the Polish Buff is very skittish and clucks lower, faster and in shorter ” bah bah bahs” until she can’t stand it and feels she must flee letting out a loud BAH, bah bah bah. She scampers away, but not far. Little Black the hen tending the three young chicks really sounds like she is saying “cluck cluck cluck” and she puffs her feathers out to make herself look bigger. And then there is our dear Mater. Her nickname is Ninja chicken. She is tame and friendly, but she likes to give a gentle peck on the toes if I am wearing sandals. I have learned to recognize the look and stance she takes right before she pecks. Slowly she turns, stands taller, stiffens, tilts her head to one side talking with a high pitched and slow “bah gwah, and then she pecks. She loves to peck my old mellow Chihuahua, toes, unsuspecting cats, empty coffee cup, you name it and I think she has pecked it.

Now I am sure you are wondering why I am going on about how the chickens talk and their different behaviors when this is supposed to be a how to draw a chicken blog. Well, the reason is because these characteristics mentioned are things that will help me draw a better picture of what I am looking at. Drawing isn’t just about duplicating shapes and colors or the size of the subject. By studying and observing the subject’s movements and behavior, if it is a living subject, you can draw your subject to be recognizable as a particular, in this case, hen or rooster.

How To Draw Our Hen Red

Today begins a series of simple exercises on how to draw the hens and rooster and their chicken coops. I will post a photo and step-by-step outline drawing of each subject. And remember, drawing is like eating pie. You don’t just mash your face into the pie with your mouth open. The pie is cut into pieces of which you take bites so, when you draw you will do it in steps
Before you draw take a moment to look at Red’s overall shape. She is pointy in some areas and curvy in others and her legs bend in the opposite direction than our legs bend. Her body is shaped like an egg and her head is a circle. Her neck, beak and tail are triangles and the comb that sits on top of her head like a cloud is drawn with a curvy line.
So, grab a pencil, and some paper and I will begin to describe how to draw a chicken. The first step is to draw an egg that will be Red’s body. Eggs are rounder and wider at one end and decrease in size and become slightly more pointed at the other end. Next at the smaller end draw a triangle with the flat side slightly overlapping the edge of the egg and pointing out. At the top of the triangle draw a circle around the tip of the triangle. This is Red’s head. Now draw a small triangle touching the circle just like you did for the body. You have just added her beak. Okay, now at the opposite end of the egg, draw a larger triangle with the base overlapping the edge of the egg and have the point up.
Look at the photo again. Look at Red’s legs and how they bend away from her head and toward the tail. Draw a “w” on the underside of the egg, belly. Next draw what is called a diagonal line. Diagonal lines are not up and down or left to right, but leaning. Start your diagonal line under one of the curves of the “w” and your line should lean down and toward the tail. The next diagonal line will begin at the end of the first one and lean down and toward the head. Repeat these steps for the second leg.
There, you have drawn Red in profile or side view. Look at the photo again because you still need to add feet, a wing and the comb on top of her head and an eye. Since you drew the side view of Red you only need one eye. You also need to erase the lines where the triangles and body overlap. If you compare the drawing to the photograph I left something off of the drawing that you will see in the photograph. A hint is to look under the beak or chin area. Add that shape, or you could use the letter “u”, to your drawing.
Great job, now you can color her and add things around her to make a complete picture. Oh, and don’t forget to sign your work. I hope you will join me again for the next drawing exercise.

The Egg Shape Is Found In Drawing

Monday, July 21st, 2008

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There are many animals around home. Some here by our intention, some by their own intention and then there are the wild ones who travel from yard to yard and non-human inhabited areas in between. Many of them lay eggs and go through different stages of development. Working in the garden and yard I have found eggs of insects, lizards, frogs and turtles. Once I have discovered them I leave the area alone until a later time. We have alligators in our area and the summer is a time when the females guard their nests until the eggs have hatched. I am glad to say that I have never come across a snake nest, but I know they are around and I am always glad to see our speckled king snake or at least the shed skin.
We have four hens that lay eggs for us. We have had them almost a year and I enjoy having them around. They are more like pets in that they all have names they will come to and they will follow us around the yard if anyone is out. They can scratch and eat figs and grapes that are in season. We do feed them and they will gladly eat out of our hands. Two of the hens, one a Rhode Island Red named Red and the other a Barred Rock named Mater, lay light brown eggs. One hen is a Buff Polish and wears a gathering of feathers on top of her head that reminds me of Phyllis Diller’s hair. She is Henrietta and she lays white eggs that are slightly more pointed than the other eggs. The fourth hen looks like a Barred Rock but doesn’t have the big red comb on top. Instead of light brown or white eggs she lays darker brown eggs with darker brown spots.
The egg has appeared in art for a very long time. Its shape is perfect for studies of value not just in black and white but also in color. From the browns and white of our hens to the greens and blues of other hens, eggs come in many colors and sizes. Their shape is great for still life studies of how light travels across a curve and then slips down the underside into shadow. Egg -shells can be polished and carved into beautiful pieces of art or even turned into small evening purses if the egg is large enough.
I have sketched and eaten the eggs our hens give to us and find they taste differently from the store-bought eggs. Recently Little Black as we call her decided to sit on a nest. Thanks to Pompy the rooster she hatched three chicks and they each look like they were under a table with spilled paint that dripped. They are white, yellow and have black splotches. The largest chick has brown patches over the eyes and they all have tufts of feathers that stand up on top of their heads. And so the cycle will begin again. The chicks will grow into roosters and hens that will roam about the yard scratching and eating figs and grapes when in season offering me more opportunities to sketch and photograph eggs, hens and rooster.